Bibbidi-bobbidi-boo

In the modern, connected world, there’s simply too much information out there for each of us to take in and process individually. Fortunately, there are some people who refuse to take things at face value, and thus take on the task of analysing some of that information for others. It’s a role that I sometimes find myself taking. I’ll now disseminate some of that analysis, with a view to (further) enriching your life. Sadly, it appears that I haven’t been analysing anything very important recently, but you still never know when what you’re about to ignore read might come in handy.

It happened while I was at my daughter’s singing lesson last night. I was listening to the teacher running through the words to a new song for Scoop.
Hang on, I thought as I listened. u wot m8? I’m not about to take that at face value, I thought.

Thus, herewith my analysis of the lyrics to a song from Disney’s 1950 film Cinderella.
Yep, it’s Bibbidi-Bobbidi-Boo, and here it is for those of you at home:

The lyrics are quite difficult for a six year old to grasp, given that they aren’t made up of real words. Of course, any six year old can sing nonsense words, but these ones have to be specific nonsense words and that’s rather more problematic. But also, it really doesn’t help when the nonsense words used in context don’t make any sense either:

Salagadoola, mechicka boola, bibbidi-bobbidi-boo
Put ’em together and what have you got?
Bibbidi-bobbidi-boo

Really? This seems like an awfully poor return on Bibbidi-bobbidi-boo to me.

Basically, you’ve not just put Bibbidi-bobbidi-boo in, you’ve had to add Salagadoola and Mechicka boola to the list as well, and for what? What have you got once you’ve put them together? Yep: Bibbidi-bobbidi-boo.
Where do the Salagadoola and Mechicka boola go to?

Look, we’re told later in the song that Bibbidi-bobbidi-boo is the key requirement for in the job doing process:

The thingmabob that does the job is bibbidi-bobbidi-boo

And so, yes, I suppose we can deduce that Bibbidi-bobbidi-boo is what we’re after, but looking at the top end of the equation, it seems that we had it already, so where does the need for Salagadoola and Mechicka boola come in?
Do they perhaps act as some sort of Bibbidi-bobbidi-boo catalyst? It’s seems unlikely, because if that were the case, Salagadoola and Mechicka boola would also be present at the end of the process as well, by definition.

I’m only asking because a) if they aren’t needed, then we’re obviously wasting a lot of time and effort by putting them into the mixing pot, and b) Mechicka boola is seriously hard to get hold of – Constantia Pick n Pay haven’t had any in for ages now. Gary, the manager, told me that it’s seasonal, and the crops have been decimated by Panama Disease. Or was that bananas?
Either way, it’s a schlep to source, especially if you don’t really need it. Not cheap either, hey?

The other thing about the Bibbidi-bobbidi-boo manufacturing process is the variants you can get if you don’t stop the Salagadoola, Mechicka boola, Bibbidi-bobbidi-boo reaction at the right point. Check out the last line:

Salagadoola mechicka boola bibbidi-bobbidi-boo
Put ’em together and what have you got?
Bibbidi-bobbidi-bibbidi-bobbidi-bibbidi-bobbidi-boo.

Bibbidi-bobbidi-bibbidi-bobbidi-bibbidi-bobbidi-boo?

That’s polymerisation, that is. And while Bibbidi-bobbidi-bibbidi-bobbidi-bibbidi-bobbidi-boo is far more durable than your ordinary monomeric Bibbidi-bobbidi-boo, it’s also far less reactive, presumably meaning that it won’t work anywhere near as well in turning mice into horses, pumpkins into carriages etc. Given that the effects of Bibbidi-bobbidi-boo are already time-sensitive, often wearing off at the stroke of midnight (except of course for the infamous, contradictory glass slipper, which remains unaffected and magical even into the next day), this simply isn’t going to work.

So, you know, be careful not to over do it.

Listen, I hope that I haven’t put you off. It may be expensive and difficult to make, it may have a ludicrously foolish recipe, it may just be absolute nonsense from a successful commercial exploitation of a fairytale some 65 years ago, shared in song format, but if you can get it right, Bibbidi-bobbidi-boo is the bomb.
[Not literally, obviously. I’m certainly not condoning making any of that sort of thing in your kitchen.]

But it worked for old Cinders, didn’t it? Look at her now: killed in a 1997 Paris road accident married to Prince Chaming and living, we’re told, Happily Ever After.
I can’t promise that it’ll do the same for you, but if you do have time this weekend, ifyou can find some Mechicka boola and especially if you can rope in some help from your fairy godmother, it’s surely got to be worth a shot.

Wild Frontier

The new album from The Prodigy – The Day Is My Enemy – is out, and it’s unapologetically bleepy, shouty, loud and beautiful. Already at number 1 in the UK, it seems that Keith et al. have been sorely missed.

Here’s the mad video for Wild Frontier. And yes, that’s a stuffed moose on a motorbike.

Somewhere deep in the past of this blog, I wished for the renaissance of 90’s bands, just as we have enjoyed (or endured, I suppose, depending on your point of view), something of a revival of 80’s bands touring and re-releasing once again. If this album is part of that (and yes, I know that there’s the argument here that The Prodigy never really went away), then I, for one, cannot wait. It’s brilliant. This is one of those albums that will certainly be up there, vying for second place in the coveted 6000 miles… Album of the Year award 2015.

If you want to go even deeper, head for the excellent KillSonik remix (set to Youtube to HD and phasers to stunning).

One Direction in Cape Town

Today’s the day, tonight’s the night. One Direction madness has taken over the Mother City as everyone looks forward to seeing the Famous Five Four on stage later. I surrendered my tickets -in exchange for a reasonable sum of money – to someone who actually wanted to go, so I’m going to miss out on all the excitement in Green Point. Still, being just 11.21km from the Stadium (as the crow flies, and providing it avoids Devils Peak), I’m going to have to take extra care of the beagle this evening: it has very sensitive hearing, you know?

For those of you who are joining me in not being there this evening, here’s just a taste of what we’re missing.

Those voices. That confidence. That chorus! Such power.

If you are going along – have fun.
I’m almost sad to say I’m not going to be there. Almost.

Cast In Steel

Told you.
One more brand new album. One more world tour.

It’s out on 4th September this year. *begins trembling with mounting anticipation*

The return came about in a simple, organic way, as Paul explains: “it started off very easy and low-key with Morten dropping by my studio at various occasions, and I would show him songs that I was working on. He would sing on the songs he felt a connection with and leave the ones that didn’t and it just went like that until we had done 10 or 12 songs.”

The lack of pressure and deadlines was definitely a bonus, and reminded Paul of when the band first started out: “The beauty of it was that we could do this totally under the radar; there were no deals in place, no contracts, tours planned or deadlines looming … just our shadow endeavours. It was back to exactly how we started in my parents cabin way back when in the 80s. Some instruments, a song, a voice.”

Morten makes it clear that “we are not getting back to stay together. We’ve agreed to come back for a set period: one album, one tour. It’s a great opportunity and allows us to write another chapter.”

I need to be there for this one. I need to make a plan after last time.

Link to press release to follow Here’s a copy of it – the a-ha.com website appears to be struggling with high demand right now.