The new album from The Prodigy – The Day Is My Enemy – is out, and it’s unapologetically bleepy, shouty, loud and beautiful. Already at number 1 in the UK, it seems that Keith et al. have been sorely missed.
Here’s the mad video for Wild Frontier. And yes, that’s a stuffed moose on a motorbike.
Somewhere deep in the past of this blog, I wished for the renaissance of 90’s bands, just as we have enjoyed (or endured, I suppose, depending on your point of view), something of a revival of 80’s bands touring and re-releasing once again. If this album is part of that (and yes, I know that there’s the argument here that The Prodigy never really went away), then I, for one, cannot wait. It’s brilliant. This is one of those albums that will certainly be up there, vying for second place in the coveted 6000 miles… Album of the Year award 2015.
If you want to go even deeper, head for the excellent KillSonik remix (set to Youtube to HD and phasers to stunning).
Perhaps because they announced that they will have a new album out this time next year, or perhaps just because Steve Jobs’ spinny touchy wheel thing on my iPod looks really nice but doesn’t actually work every time, I ended up doing an Artists – Muse – All Songs – Random on my way into work this morning.
“I’m going to blog some vintage Muse this morning,” I thought. “People need some vintage Muse today.” But which song to choose from the 106 that I have on my device?
Muse in Cape Town, 2008
At first, it seemed easy: Unintended was on, and as the orange sun rose over the mountains, that seemed perfect. But then there was suddenly New Born and that was great too. And then Map Of The Problematique, arguably my favourite Muse song, but quite dangerous in an overly-energetic way.
Basically, each song seemed better than the last, which is no bad way for things to be going, but which wasn’t helping with any sort of decision making. So I made a plan: whichever song was playing when I arrived at work would be the one I would share. And that was Falling Away With You.
Sadly, the only version I could find of Falling Away With You was this rather dodgy live piano cover. Complete with a lot of coughing and other audience noise. Ugh.
You deserve better. And so you get this one, with its salutary-message-shock-twist-in-the-tail ending:
According to that link at the top, Matt Bellamy has said that the new album:
…should be something that really does strip away the additional things that we’ve experimented with on the last two albums, which is electronics, symphonics and orchestral work and all that kind of stuff.
That disappoints me a little. Not because I don’t enjoy a bit of vintage Muse (see this post, for example), but because I thought that the last couple of albums were ground-breaking in the way that they dragged in all sorts of drama and showmanship on top of their rocky foundation. It was all so new, so adventurous, so different.
Not everyone liked it. But not everyone likes One Direction and they seem to do ok!!!!
I will, of course, get the new album when it comes out. It will, of course, be brilliant. But it won’t be unique. And that seems like a bit of a step backwards for me.
Incoming from the boys of Apparatjik (previously seen here on 6000 miles…) – their new album Square Peg In A Round Hole is due to be released on the 21st February 2012. Which is as good a reason as any to give you another taste of their first album – this is the melancholic desperation of Electric Eye:
In a nod to their music/art fusion, the band have pre-released certain parts of the album for fans to “premix” before the official launch next year:
More bassification. Newer songings? More Magne A vocalings? Synthesizer soloings by Jonas A? Bedtime story by Martin A? Falsetto tunings by Guy A? You want to re-mix? apparatjik lets you premix
But you need to have an iPad to be able to partake and I don’t have one of them.