(I had this) Thing of Beauty

Nemone’s Electric Ladyland show on BBC Radio 6 a couple of weeks ago featured the Kraak and Smaak remix of Royksopp’s I Had This Thing. I was transfixed for the whole 8 minutes. Wonderful.

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Click that big orange dot, top left, to experience it.

Available from iTunes as part of a package of 9 remixes for a very reasonable R39.99.

The Inside

This appeared on a random iPod playlist of mine just now and – given where I’ve been this weekend – I thought I’d share it. It might already be 5 years old, but it’s still sounding fantastic.

Ironically, this video for The Inside is filmed on The Inside of a cooling tower. But if you’d have been a 6000 miles… reader back in March 2013, you’d already have recognised that, of course.

Musical Mid-Life Crisis

No. Not me. Not specifically, anyway. Given the way that the data below are interpreted, I’ve been having a MMLC for possibly forever already. Nothing will change if I ever make it as far as 42.

data

But this is very interesting for a number of different reasons. And before we go any further, the first of those reasons is that we can even look at this data. People have been buying and listening to popular music for decades, but while we’ve known what they’ve been buying (through the charts), we don’t actually know who’s  been buying it. Now, although these data are for a single music streaming service – just one of the many ways of accessing music these days – the ease and simplicity of correlating musical tastes with age, gender etc are still things that we never had before.

Secondly, I love the way that study author Ajay Kalia has devised a benchmark “Artist Popularity Rank” to measure stuff against. Any data analysis is utterly pointless unless you have a means of comparison. In this case, he used “artist hotttnesss” [sic] to see what was currently popular (Taylor Swift) and what was not (Natasha Bedingfield) which could then be cross-matched with who was listening to it.

To give you an idea of how popularity rank scales, as of January 2015:

  • Taylor Swift had a popularity rank of #1

  • Eminem had a popularity rank of about #50

  • Muse had a popularity rank of about #250

  • Alan Jackson had a popularity rank of about #500

  • Norah Jones had a popularity rank of about #1000

  • Natasha Bedingfield had a current-popularity rank of about #3000

Admission: I have no idea who Alan Jackson is. But, you know, #500. So, whatevs.

Next up, I’m suspicious of data that looks this good. I mean, I’m not really suspicious, (but I am a bit). How perfect are those curves? (careful now). Look at it through the thirties: gorgeous. And then, yes, that dip – a definite kink – at 42:

Around age 42, music taste briefly curves back to the popular charts — a musical midlife crisis and attempt to harken back to our youth, perhaps?

I’m not on Spotify, nor am I in the US, so I won’t be skewing their pretty data when I look at the last five songs I’ve shared on here – those being from 2015, 1987, 2013, 1949 (oops) and 2015 again. As I suggested earlier, I’m continually right in the middle of a MMLC.

Fortunately, looking at their spiralling graph, we’re all back onto the straight, narrow and distinctly uncool by the time we’re 45. Definitely something to look forward to.

There is that other point on there which I’m conveniently ignoring :

Sorry, fellow parents. We may be word-perfect on dozens of nursery rhymes and pre-school TV themes, but our pop savviness is in question. “Becoming a parent has an equivalent impact on your ‘music relevancy’ as ageing about four years,” writes Kalia.

That’s fine by me. I never claimed to be relevant anyway.

If you want more detail, here’s the full blog post on the study.

Atlantis

Wow. More brilliance from Jack & Harry – the Seafret boys (you may remember them from such posts as Seafret – Oceans). Here’s the new video for Atlantis, filmed in Ireland with the assistance of Brendan Canty, who did the video for Hozier’s Take Me To Church. (Ellie Goulding cover version here)

It’s lovely, lovely stuff.

Also, go and listen to this – Sinking Ship – my personal favourite of their tracks.

So far.

Tuesday Ephemera

Apparently, this is the third Tuesday ephemera post I’ve done, as you may have noticed from the URL above. Evidently, after the chaos and panic of Mondays (they always seem to surprise people, don’t they?), Tuesdays and Fridays are the days when I unbundle all of the links I’ve collected and collated in my Pocket. Today is no different, as thus, without further ado… Stuff, but with more additional comments than usual:

3 month YouGov polls show folly of campaigning:

ge15

At least, it shows the folly of competitive campaigning. I’m sure that if one party didn’t campaign while the others did, that would make a difference, but given that no-one’s percentages have really done anything very much since mid-January, think of the money, effort and tedium that could have been saved by everyone just not doing anything to woo voters.
Also, it shows the danger of having (really) crap policies – support for UKIP and the Greens having actually dropped as they revealed their plans should they score an unlikely victory.

Local beach clean up yields skull 

The skull is hundreds, perhaps even thousands of years old – the remains of a young adult probably part of a hunter-gatherer community.

Yes. The real surprise was that it wasn’t a more recent murder victim.

This Xilent remix of Ellie Goulding’s Figure 8 is very pretty:

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A nice piece on the memories recalled when your childhood home is sold. My parents still live in the same house that I grew up in, so I’ve never really experienced this. Also, it isn’t a massive seven bedroom Yorkshire farmhouse and we didn’t have our wedding reception there, so this is a bit foreign to me as well:

Thirty people slept in the house, with 20 more in tents in the field. Many never made it to a bed, and Mum and Dad reckon that’s the highest number of overnight visitors they have ever had.

How could there actually be any doubt? Were there other occasions when there were “ooh, maybe 49 or 51 – I can’t quite recall”? Or did they previously also own a hotel with 26 double rooms, which may once have been very nearly at full capacity?
But look, this rather bizarre statement shouldn’t detract from what is an otherwise lovely, heartfelt piece.

Finally: Sheffield now and then. Or then and now, depending on how you poke the pictures.

For me, this was interesting not just because I come from Sheffield, but also because firstly, it’s really well done and secondly, just the way that some photos showed massive differences between the old and the new, and some where there were still elements that had been preserved. Sadly, I can’t link to individual photos, but if you have the time and/or inclination the 1945 VE Day crowd outside the City Hall (about a third of the way down) is especially interesting, showing the shrapnel holes from German bombs in the columns, and the patching work still visible today.

On the downside, many of the older photos were taken in the heyday of the city’s industrial past. That’s because that was the thing that made Sheffield special then. That was what was happening, that was the interest. Essentially, that was why the photo was taken – to show that industry, not the green spaces and parks, which didn’t exist back then. The modern day equivalents of those industrial scenes are fairly depressing, in that much of that industry has gone and has been replaced by soulless office buildings or (only arguably worse), nothing at all. It doesn’t help that the present-day photographer seems to have successfully avoided getting any sunshine in any of the photos.

Historical interest 10/10.
Accurate portrayal of modern-day Sheffield: 2/10.

Still. At least it’s not Luton.