A quota post (with a quota photo of a quota post and link to a post about a post about a post about a quota photo and a quota photo) and another quota photo

This is getting silly now. Search engines won’t like a title this long (I’ll save you the time: 156 characters).
And my brain hurts.
And do I need an Oxford comma in there… somewhere? I think I probably do.

But anyway, here’s the photo:

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And here’s the link.

Once again, there shouldn’t be any need to feel remorse for posting quota photos or quota posts. Especially if they feature an Imperial Stormtrooper. It’s not as if (as a blogger) your readers are paying for content. That’s not to say that if the time and the impetus are present, you shouldn’t be churning out good quality posts either. It’s just that real life regularly gets in the way of time and impetus being present.

Those of you who read to the end of the title and could be bothered to decipher it, will have realised that a further quota photo is required. Here it is, appropriately thinned down, Micklethwait-style.

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And here’s the original.

Brian, if you’re reading, shall we leave it here? 🙂

A quick explanation

…or “Why Jacques is right – and wrong”.
…or “Why I wrote what I wrote”.
…or “Meh, whatevs”.

I really don’t want to add to this molehill in my teacup, but I feel that I – and maybe others – might want some explanation (and need some clarification) on my rationale behind the women24 post I wrote on Friday, just for when we fondly look back on these halcyon days. My twitter, email and blog have since been alight with misquotes, unfounded allegations, hyperbolic extrapolation and general hatred.

It’s been such fun. Really.

Jacques Rousseau wrote about that post here and set out – as always – a compelling and sagacious case on why he feels that I was incorrect to have used the term “mixed messages” when calling women24 out on their coverage of the distasteful and bizarre spectacle that is ‘The Red Carpet’ at the annual State of the Nation Address (SONA). That said, and despite the absence of the ‘challenging vocabulary’ for which he are famed, I still don’t agree with him.

The argument against my stance presented by Jacques and others seems to rest upon the fact that the hate-filled, vitriol-spewing (LOLz) gallery I used as an example was from last year’s SONA and that women24.com’s editorial policies have changed since then.
Jacques and others suggest that this invalidates my message. And, if one works from that foundation, and uses simple logic, Jacques and others are absolutely correct.

But here’s my issue. Jacques hints (and others have triumphantly asserted) that I was unaware that the gallery in question was from 2013. Not so. No, I state that very clearly in my blog post.
For me, the date of the pictures and the comments is irrelevant, because if anyone searches on women24.com for SONA fashion, they’ll find that vindictive 2013 gallery right next to this year’s wonderfully positive one. You don’t have to be a regular reader of women24.com to do a search; you don’t have to have the context that Ms Radloff et al are only nice about the fashion choices of politicians these days.

But don’t get me wrong. I’m delighted that at some point between February 2013 and last Thursday evening, women24.com came to the conclusion that shaming politicians over what they choose to wear to an annual ceremonial event wasn’t a nice thing to do (actors are evidently still fair game though) (unless there’s been another sea change in editorial policy since January 13th).

Anyway: well done, welcome to the 21st century.

But there’s nothing on that 2013 gallery that says “Actually, we’ve realised since we published this that it was a bit of shit thing to do and so we’ve stopped doing it now”. There’s nothing in that faux holier than thou “OMG, How Could You?” post from Friday that says “Although, in fairness, we were also still doing this until very recently too”.
Moreover, and perhaps more realistically, as far as I’m aware (and I’m quite sure that someone from that band of merry women would have pointed it out to me if it existed), there’s nothing on women24.com telling us about what – let’s face it – is quite a big shift in editorial policy for a women’s “lifestyle site” and one which they should surely be proud of.
This is something that Jacques eludes to as well.

So, yes. If any one of those things was clear, then yes, the foundation of Jacques’ argument would be solid and maybe I’d look a bit foolish (Hell, it’s happened before…). But their asking “since when do we expect members of parliament to look and dress like A-List celebrities? And why do we care?” and “can’t we at least let them wear what they want?”, just because they changed their minds on how they choose to report that, and while still having that 2013 gallery readily accessible on their site, well yes, that for me clearly amounts to sending out “mixed messages”.

This really isn’t meant to reignite any flames of argument. As I stated a few hundred words ago, it’s merely an explanation and clarification of why I said what I said and why I’m happy to stand by that position.
The difference between that position and Jacques’ comes down simply to a difference in opinion, and as far as I know, there are no set rules about that sort of thing, other than “it’s fine to have them”.

And on that note, let’s just remind ourselves of Jacques’ final paragraph:

When we get around to engaging each other – on these and other issues – let’s try not to assume the worst, though. It’s getting more and more difficult to talk about issues without presumptions of guilt or virtue, and we all play a part in creating – but if we care to be more careful, undermining – a culture in which blaming, judging, and shouting are valued more than understanding is.

Preach, brother…

Seven London Bridges by Brian

Brian Micklethwait has been photographing London again. This time, looking straight down the river from the balcony of the ME Hotel Radio Bar. He (accurately) claims seven bridges in this photo:

ME7Bridges

I love how, because of the foreshortening effect, there’s almost no river showing at all.

As Brian says,

I thought I was photographing just the one big, obvious bridge, the one with the towers.  But it turned out that I was photographing seven bridges. Newcastle eat your heart out.  Sorry about that big white circumcised cock in the foreground, getting in the way.

LOL.

And since he invoked Newcastle, I’ll just leave this six bridge effort here:

Which, despite not quite matching Brian’s in absolute quantity, does also include a “Milennium Bridge” and surely wins in the ‘larger percentage of major bridges over any given river in one particular shot stakes’.
Happily, it also comprehensively fails to have a big white circumcised cock in the foreground.

Double bonus.

And while we’re on the subject of river crossing photos, may I remind you of this numerically inaccurate Three Prague Bridges post from 2009?

A Post about a Post about a Quota Photo

Because I have previously assured my readership that they will get (at least) one post per day here at 6000 miles…, and because I have other things to do aside from blogging, sometimes, when words or time are hard to come by, I’ll chuck up a quota photo so that even though you haven’t got incisive, witty social comment to marvel at, at least there’s something pretty there.

The Quota Photo moniker came (as he correctly assumes) from Brian Micklethwait of BrianMicklethwaitDotCom, and he has passed comment on both the phenomenon of Quota Posting and a recent Quota Photo that I shared on here.

All this because 6k likes to have something up, often.  And that’s the point of quota posting, for those of us who are suited to it.  If you have reasonable taste, then the mere fact of starting doing a blog posting ensures not only that something will go up, but that, really quite often, something really quite good will go up.  Like this photo, which I consider to be very good indeed.  Often what takes the time, with blogging as with life, is not doing it, but getting round to doing it.  The actual doing is often quickly done, and often very well done.

My thing is this. Not every quota photo will please every reader – I know that many of you come for the dramatic, educated and/or hilarious collections of words that so regularly adorn these pages. But if you don’t like it, don’t read it… or… look at it. You can even ask for a full refund if you wish. Good luck with that.
But just occasionally (and that aerial shot of Piet sê Punt is a good case in point), someone latches onto a quota photo and suddenly, it has more value than a simple placeholder and thus, as Brian points out:

Some of my best blog postings have happened because I wanted to put up any old something, however bad, and it turned out really good.

Whenever and wherever I can, I will continue to get a “real” blog post on here each day. However, when that isn’t possible, quota posts – and especially quota photos – will continue to be my fallback tactic.

And now we all eagerly await Brian’s Post about a Post about a Post about a Quota Photo.

Nice introduction, interesting idea

Here’s the story:

Synthetic living creatures would be released into the wild to save endangered species and clean up pollution under this futuristic proposal by designer Alexandra Daisy Ginsberg.
Called Designing for the Sixth Extinction, the project is designed to trigger debate about how artificial organisms could be used to solve environmental problems.

And here’s how Brian Micklethwait introduced it:

Synthetic creatures could “save nature” says Alexandra Daisy Ginsberg.
Has this woman never seen any horror movies?

Haha! Brilliant!

It’s an interesting idea, but it’s not as revolutionary as you might think. Bio-engineering of microorganisms – although not strictly ‘synthetic’ – is already being used to sort out environmental issues, such as these methanotrophs. But Ms Ginsberg is thinking of things on a larger scale:

sluglike

“These are bio-remediating slugs that reduce acidity levels in the soil to make it more hospitable. Soils get really acidic due to pollution; their slug trails are very alkali and they neutralise the soil.”

Cute. I think I want a bio-remediating slug as a pet. I’d feed it on sand soaked in vinegar and we’d all live happily ever after.

But seriously, these are interesting and promising concepts and an innovative way of looking at some of the environmental problems we face. Until, that is (as Brian points out), they unite, mutate and quickly take over the planet.