5 Rooms – 5 Stars

We went out dining last night, down to 5 Rooms at the Alphen Hotel (which actually is in Constantia) and we had a great meal.

The Alphen has history oozing from every Cape Dutch pore and there are heaps of pictures and photos on the walls documenting those who have lived and visited there. But they’re interspersed by huge contemporary pieces as well. It’s a theme carried through into the lighting. Huge original chandeliers hang alongside modern shades, occasionally dwarfing them completely. It gives a curious, almost theatrical feel to the place.

In the same vein, the atmosphere is further enhanced by the in-your-face music straight out of a chilled afternoon in an Ibiza bar [example], filling the small, intimate 17th century rooms with energy and life.

The restaurant – presumably so named since it occupies five separate rooms (I counted and they didn’t include the bathrooms – perhaps an oversight?) – has a well-stocked bar at its heart, with a drunk Englishman (not me) telling the barman how to identify and reject under-ripe limes, and Peroni and Castle on draught. The Rose Bar round the back also has Black Label and Milk Stout on tap. So that’s my summer evenings sorted, then.

The service was supreme, from booking through the welcome to the table service and the food didn’t disappoint. Mrs 6000 started with the Norwegian salmon and followed it up with the superb veal, served with pesto souffle wrapped in sweet potato and greens. I chose the duck pâté (roasted pistachio nuts, blood orange jelly and potato crisps) to begin with and then moved onto the remarkable value of the seafood platter – linefish, mussels, calamari, a tiger prawn and a crayfish tail – for R159. Excellent stuff.
That main course was part of their winter specials list though, so you’d better get in there sooner rather than later. Spring is almost gesprung.
[Update – Winter Specials are on until 30 September 2012]

The desserts were equally special. A delicious crème brûlée with refreshing berries and a terrifyingly sharp sugar nest for me and a trio of truffles served with frozen grapes (“they’re like, grapes, but frozen”) and a shot of Patrón for the other half (Mrs 6000 will do most anything for a shot of Patrón, so nothing else on the dessert menu really stood a chance).

The wine list isn’t huge, but there’s some very decent stuff on there. As an irregular (at best) white wine drinker, I was particularly impressed with my 2011 Professor Black Sauvignon Blanc from Warwick Estate.

It wasn’t a cheap evening, but as the Fund Manager reminded us last week at Hussar “this is what you pay to eat out these days”. However, I do think that it did represent really good value.

We’ll certainly be back at 5 Rooms, and as I mentioned, we’ll probably spend a few decent sunny evenings in the Rose Bar.
If this is representative of the rest of the hotel’s offerings, then The Alphen is fully deserving of its 5 star rating.

OMD – they’ve still got it.

Propped up by Corenza C and Red Bull, I made it out to Grand West last night for the first OMD concert in SA since 1994.

This isn’t likely to be the most impartial review you’ve ever read. It was never going to be, because I could listen to 80’s synthpop forever and a day and still enjoy every single second of it. And when it comes to 80’s synthpop, OMD were.. are… it.

No pretence from Andy McClusky that his dancing style is bizarre at best, nor that he’s getting on a bit.
On the the crowd’s reluctance to get involved:

Don’t be scared. I’m 53 and I’m still dancing like an idiot.

And then after a particularly energetic effort to Maid of Orleans:

It wasn’t dignified 25 years ago and it’s not got any better.
But at least I can still do it!

And he could. An admittedly generally sycophantic crowd were transported back to earlier times as they knocked out hit after hit, Paul Humphreys repeating those electronic riffs which kept us entertained on cassette all those years ago.

Considering this was “soulless” electronic music, there was passion and, strangely, almost a spiritual element to the performance.

Oh – and the new stuff isn’t bad either. This was a very pleasant surprise.

OMD wrote Electricity when they were 16 – a fact that a quick glance at the lyrics will confirm. But as we’ve mentioned before with these 80s bands, those lyrics worked back then. And, as Kraftwerk showed, the singing was rather incidental to the electronic beats and the keyboard themes.

Thankfully, OMD have moved on lyrically since then. But their recent stuff still holds true to their musical roots – and for me, that’s just great.

The 6000 miles… Coldplay review

So, after months of waiting, last night was it. Me, Mrs 6k and 53,000-odd others seeing Coldplay at the Cape Town Stadium. I’ve done several concert reviews on here before and I’ve learnt that that people like the whole package, so let me share my experiences with you.

  • Don’t care for words, and just want pictures? Click here for my flickr set.

Parking: New plan – I decided to park in the CTICC car park. Choose the P1 parking and you’ll pay a flat rate of R30 for the evening, your car will be safe and secure and you’ll be just a 5 minute walk from the goodness of the Civic Centre end of the free Civic Centre – Stadium shuttle. Add to that the benefit of a direct exit onto the elevated freeway (N1/N2) and suddenly you’ll wonder why on earth you ever parked anywhere else. Brilliant.

The Fan Walk: Mrs 6k had never done the Fan Walk and I hadn’t done it since the Bafana v USA game last November, so I was more than happy to take her along and share the experience with her. But what a disappointment. There was no entertainment, no food stalls (this could have been a big issue: I was getting hungry and you wouldn’t like me when I’m hungry), no nothing.
So let’s be honest here, this isn’t a “Fan Walk”. This isn’t something that Cape Town should market as a unique selling point; this a road that has been closed to allow people to get to the stadium. Just like roads near stadiums are functionally closed each and every week worldwide.
Move along please. Absolutely nothing to see here. Hugely disappointing.

Food: Peri-peri chicken burgers and Bratwurst rolls at Giovanni’s in Green Point. Winning.

The Stadium: I love this stadium. I love coming to this stadium. I love being at this stadium. But last night there was a worrying lack of security and organisation outside. Somehow, while there were huge queues to get to some turnstiles, there were no queues to get to others. This prompted anger and – eventually – a potentially dangerous situation of a fence being uprooted and hundreds of people pouring through to get to the shorter queues. Not good. There weren’t enough event staff to manage the situation – were they not expecting a big crowd? – and that meant that people got through without having their bags searched. Which is no big deal as long as they haven’t got anything nasty in there, but it shouldn’t happen.
One other issue: the new City health drive meant that there were no refreshment facilities on the third tier. Therefore, you could pre-emptively work off the calories from your food and drink by having to carry it up the 6 floors to your seat.
Thanks Patricia. I feel thinner already. You should give it a go, pet.
Otherwise, I love this stadium. I love coming to this stadium. I love being at this stadium.
Did I mention that?
Oh – and jumping ahead – after the gig, the new longer, wider queuing system for the bus station was brilliant and has effectively removed the crush which has ensued after every other event. It shows that the city is watching and learning and that gives me hope after those two negatives above.

Right – time for some music.

The Support: The Parlotones came on, sang some songs and went off. It was a completely bland, ordinary and eminently forgettable performance that deserves nothing more than utter indifference in reaction.
The one benefit was that now I have seen them (again), I feel fully justified in my opinion that they have stagnated, offered nothing new or exciting for years and never lived up to their initial promise.
Those who wish to disagree can disagree. But I have no idea why you would.

Coldplay: The Main Event. Bizarrely, the band came onto the stage following a full volume, full length rendition of Jay-Z’s 99 Problems (But A Bitch Ain’t One) on the PA. I have absolutely no explanation for this. Did Gwyneth even come with?
Anyway, this was the first concert that I’ve ever been to where I was sitting way back and not bouncing in the Golden Circle. But then, Coldplay are one of those bands whose anthems mean that they are perfect for these big arena gigs. The experience is brilliant for everyone throughout the stadium. Or so I thought.
I was wrong. For the entire performance, I couldn’t get away from the fact that I was watching a concert, not being at a concert. The sound was good (better than U2 according to those around me who had been at U2), although the spoken bits between songs were often hard to pick up. The light show was fantastic and I don’t think it would have been as spectacular from ground level.
They began with the energetic Mylo Xyloto, moved onto Hurts Like Heaven – both of which were powerful enough to get the fans going (assisted by the release of some big balloons), despite being new tracks – and then hit us with Yellow, which still holds its own almost 12 years on. In My Place was the first quiet number and – once again – I was struck by the lack of concert etiquette in SA as it was drowned out by people chatting throughout (see my reviews on James Blunt, REM, Spandau Ballet etc etc etc). We didn’t get The Hardest Part last night, which I would have liked as I think is one of their best songs live – but given the overall volume of the track, perhaps that was a good thing.
I fear greatly for the upcoming Tori Amos gig…

Paradise, Lost and Violet Hill were also good, although the audience seemed to lose interest for a while during God Put A Smile On Your Face.
However, The Scientist was well received – especially the change in the lyrics: “Come up to Cape Town, tell you I’m sorry, you don’t know how lovely you are” – but sadly ruined by the biltong salesman trying to flog stuff while Chris Martin was taking us “back to CHIPPIES!! CHIPPIES!! DROEWORS!! the start”. These guys are great for football matches, great for rugby games, but really shouldn’t come to concerts.

And then the band came down for a pseudo jamming session on the pier at the front of the stage, which – for those of us at the back – really was a bit rubbish. The acoustic version of Shiver, from the Parachutes album seemed dangerously unrehearsed, held together with experience rather than practice and I, for one, was glad when they returned to the main stage for Viva la Vida and Politik, the latter of which was, again, disrespectfully ignored by the majority of those around us.

Ninety minutes in, Chris thanked us all and disappeared (and so did a few hundred people from the stands – why do they do that??).
The encore was impressive, as you might expect with those anthems: Clocks and Fix You. If Chris Martin doesn’t like the fans singing along with him, he hides it well. Cheeky grins abounded when the entire crowd launched into “Lights will guide you home…” – it was the highlight of the evening for me.
The lasers were back as they finished with the upbeat Every Teardrop Is A Waterfall, complete with numerous fireworks and it was a strong finish to what was – overall – a bit of a disappointing evening.

I marked it at 6.5/10 (Mrs 6k gave it a 5!), which I rounded up to 7 on my Facebook status last night and which was still received with gasps of incredulity and demands for an explanation. Much of that low mark  could probably be put down to our seating position in 327 – which I really didn’t enjoy: I didn’t feel part of the gig at all and there’s actually very limited fun for me in paying R365 to watch thousands of strangers enjoying themselves. I’ve learnt my lesson – from now on, these sort of concerts will be Golden Circle or not at all.

But sadly for Coldplay and me, that knowledge has come too late to save last night.

Tonight, tonight

(with apologies to the Smashing Pumpkins)

I’m quite excited about tonight, as we’re secured tickets (via the medium of Computicket) to see Fascinating Aida at Camps Bay’s Theatre on the Bay (which is actually next to the bay and not on it at all).

If you haven’t heard of Fascinating Aida, don’t worry. I was in your situation until I got sent this video from some relatives overseas last year. which had me in stitches.

And unsurprisingly, they’ve had some excellent reviews since coming over to perform in SA:

Tony Blair is a war criminal, Justin Bieber an amoeba and when shagging his four wives Jacob Zuma keeps out of trouble. Oh yes, and Herschelle Gibbs is a d**s. The ladies of Fascinating Aïda are not afraid to speak their minds.
This relentlessly funny and surprising show is performed by a trio of English women who drip with sarcasm and satire. They sing, they do something that resembles dancing and they break all conventions of how ladies should act.

Leave the prudes at home for a night of guaranteed laughs. A definite go see.

Sounds right up my street.

I’m told that tonight is sold out (as have several others). However, they are here until 5th March, so if you’re in Cape Town, do make an effort to see them.
Tickets via Computicket start at R100.

UPDATE: Brilliant. Simply brilliant.

Going Through Hell

Good advice from The Streets with the first single off their fifth and final studio album computers and blues:

If you’re going through hell – keep going

Even as a fan of Mike Skinner and The Streets, I have to admit that their last offering, Everything is Borrowed left me a little cold. It was light and airy without the grittiness of previous albums. And while the easy-going narrative rap was still there, the clever wordplay of their early days was missing. However, their previous work means that this new album certainly warrants a listen and I’m happy to report that if  this first release is anything to go by, then the witty repartee is back, as line after line from those motivational powerpoint slideshows your Auntie Hilda keeps sending you is nimbly delivered, urging the listener not to give up.
It could easily be a metaphor for listening to The Streets.

I’m further inspired by Skinner’s promise when discussing Everything is Borrowed was released, that:

The final Streets album (the fifth one) will be dark and futuristic. This could not be further from the album you’re about to hear, but it’s what is on my mind at the moment.

All of which sounds very promising.

computers and blues is released on 7th February 2011. Pre-orders here.