Whatever your plans today. Wherever you are. Whatever you believe.
I hope you have a nice day.
I mean, I hope you have a nice day on all the other days as well.
It’s just that apparently for a lot of people, this one is a bit of a biggie.
Whatever your plans today. Wherever you are. Whatever you believe.
I hope you have a nice day.
I mean, I hope you have a nice day on all the other days as well.
It’s just that apparently for a lot of people, this one is a bit of a biggie.
I prewrote a post for today. I prewrote it at about lunchtime on Monday 22nd.

I… er… I won’t be continuing with that post now, because about an hour after I hit the SCHEDULE button, this sad news broke.
British singer Chris Rea, known for hits including the Yuletide classic ‘Driving Home For Christmas’, has died after a short illness… three days before Christmas.
British rock and blues singer-songwriter Chris Rea, known for songs including perennial Yuletide favourite ‘Driving Home For Christmas’ and the hit ‘The Road To Hell’, has died at the age of 74.
I thought that the spoof news article I’d linked to originally was actually rather funny. Having seen Chris Rea on a TV programmes and doing a few interviews, I think he’d have liked it too.
But wow. I’ve always said that I might miss something important or put my foot in it when scheduling posts while I’m away.
This was nearly a huge faux pas.
Good job I managed to spot it before it had got too far.
Yeah, I’m going to admit it. I’m a bit chilli sauced out, and so I’m cheating a bit with my SmokedOke chilli sauce advent calendar review. Two days still to go (I haven’t opened today’s yet), and we’ll surely get to them at some stage, but wow – I’m actually a bit overwhelmed.
Here’s what’s been opened since my last post (which was a few days after my first post):

No. I’m not sure why they are on a piano either. I just needed somewhere to ‘tog them on and the rest of the house seems to be in some sort of pre-Christmas chaos. Weird.
So: what news?
First off: nothing has topped the Cowboy Candy. This was the one, and it remains the one.
But that doesn’t mean that there have been other highlights. Reaper’s Breath was fairly terrifying. Grim Reaper was even more scary. And the Honey Chipotle was delicious. The Chilli Crunch was very nice, and the Piccalilli Relish was unusual and tangy, and begged for some cheese, ham and maybe a pork pie.
Less good: the chilli gherkins. I’m not sure that they were supposed to be fizzy. I gave them a go anyway – what’s the worst that could happen? Microbiologist readers don’t need to answer that.
But this has been an overwhelmingly positive experience. A lot of the sauces have been too strong for me, but I just use less and so even these sample vials are going to last for ages.
I can only imagine that we are going to finish with the showstopper: The Kraken, but honestly, it’s just been great trying some different stuff that I would never have dared buy in any sort of reasonable volume for retail.
If you have a chilli lover in your life, then you need to give this a go for them next year. It’s been great.
Yeah. Ke Dezemba in ZA and we all know what that means. But the revelry it brings isn’t new and it certainly isn’t exclusive to South Africa.
Kegeesh Ommidjagh – the foolish fortnight – begins (began?) on Oie’l Thomase Doo (Black Thomas’ Eve) (that was 21st December) on the Isle of Man, and well… they got up to some naughtiness, back in the day:
Rampant fun & the relaxing of moral codes(!) were the norm across the Isle of Man throughout Christmas in the past. Barns were claimed for dancing across the Kegeesh Ommidjagh, with fiddlers hired by public money, where parties apparently got so wild that youths sometimes felt compelled to go outside to continue their ‘close celebrations of the festival’ in the hedgerows…
There’s even a passage from George Waldron’s ‘A Description of the Isle of Man’ , written in 1731 that recounts the scenes – surprisingly candidly for those days:
“There is not a barn unoccupied the whole twelve days, every parish hiring fiddlers at the public charge; and all the youth, nay, sometimes people well advanced in years making no scruple to be among these nocturnal dancers.
At this time there never fails of some work being made for Kirk Jarmyns; so many young fellows and girls meeting in these diversions, nature too often prompts them to more close celebrations of the festival, than those the barn allows; and many a hedge has been witness of endearments, which fear of punishment has afterwards made both forswear at the holy altar in purgation.”
The whole thing is quite a read.
But if nocturnal copulation in the local farmers’ fields in the middle of winter wasn’t foolish enough, then you really need to click here and read some of the astonishingly bizarre traditions of the Kegeesh Ommidjagh.
Groups of young lads roamed the towns making ‘a rare din’ singing, dancing and playing homemade instruments, carrying mollags – inflated sheep’s bladders – with which they hit anyone who got too close. The aim was to make money, but they were perhaps hounding it out of people more than receiving willing donations!
Ah yes – the old sheep’s bladder boinkers. Always a giggle.
In church was the Oie’ll Verree service which took place on Christmas Eve. Here the singing of carols was accompanied by young women throwing peas at young men.
Standard religious nonsense.
Amidst the final drinking and dancing there was the Cutting off the Fiddler’s Head, where the fiddler lay his head on a woman’s lap and made prophesies of who would pair with whom over the coming year.
But these festivities were interrupted by the Laair Vane – a person hidden under a sheet controlling a horse’s head. This ‘White Mare’ would go around attacking people snapping its jaws until it was chased from the room.
Ah. Simpler times.
Look. There was no Netflix, no internet, no football around back then. I guess that you just had to make your own entertainment, and it does appear that the Manx people, having saved up all their joviality (and all their sheep’s bladders and their peas) for 50 weeks, really went to town on making their own stuff up for the Christmas period.
But honestly, who was the first to come up with any of this stuff, and why wasn’t he or she immediately stopped at the first mention of decapitation of musicians or people hiding under bedsheets pretending to be bits of an equine?
They were clearly all rather mad over there.
Not much has changed.
OK. Brace yourselves. Here comes a shock announcement.
I went to the cinema.
Yep. First time in several (or more) years, simply because it’s not my thing (and it’s expensive, and full of people on cellphones and people talking through the good bits of the movie, all of which you’ve already seen if you were at the cinema last month, because BILLIONZ of trailers).
But I digress. Often.
I thought that I’d give it a go, and we went to see a film that was recommended to us and – once you had repeatedly suspended your beliefs in logic and reason – and in this particular case Rosamund Pike’s sooth iffrikan accent – it was ok. Actually quite fun.
It’s clearly not for everyone, though:
Reviewers say ‘Now You See Me: Now You Don’t‘ suffers from a weak plot, lack of originality, and over-reliance on CGI. New characters are unengaging, and the story is predictable. The original cast’s roles are diminished, and the film lacks the magic and excitement of its predecessors. Cheesy dialogue and unnatural conversations are frequent criticisms. Despite some praise for cast chemistry and certain magic tricks, the movie generally disappoints.
Was I swayed by the cinema experience? No, not really. But I might go again.
Might.
Why did they use isiZulu to name a diamond mine in Limpopo?
Why not use Sepedi, so that all the locals can understand?
Sorry. Just a detail. No-one in the US will be bothered by that. Or the accent.
One thing did strike me before I gave up on reality for 90 minutes, though. This ad:
I know that Rolex have a lot of spare money lying around. But honestly, what’s the point of trying to sell one (or more) of your watches to an audience from Tokai, Retreat and Kirstenhof?
No disrespect to those suburbs, but at around R120,000 for the entry-level model, surely you’re not living there if you can afford a Rolex on your wrist. Unless you’ve got your priorities all screwed up.
Of course, the issue is that if you can afford the disposable income to shell out on an Oyster (yep, that was deliberate), then you probably watch films in your own cinema room at home. And I’m guessing that you can (and do) fast forward through the half hour of ads before the main feature.
I mean, I would.
In conclusion, it’s no wonder that Rolexes are so expensive when the company insists on advertising to everyone. As the Ad Wizard once infamously stated: “aim your campaigns accurately, make your money quickly”.
I hope that Rolex are listening.