A pretty rubbish day. Weather, footy, jobs.
And so an invite to a local gallery was a very welcome distraction.
This is the work of local artist Andrew Putter, and his Flowers Of The Cape Peninsula, Volume I, and the above is Nerine sarniensis and Ladybeetle and Moth, 2023.
Only 12 works on show, but a lovely atmosphere and some beautiful striking colours. Just like the actual Cape flowers.
So this was good, but the rest really wasn’t, and I look forward to a better day tomorrow.
It doesn’t feel very Christmassy here just yet (does it ever though?), but over in the UK, there’s clearly a feeling of festivity in the air. Expressed as only the Brits can:
I saw a recipe for Glühbeer the other day, which seems like an unnecessary but interesting spin-off. But with the temperature in the mid-20s or higher all day every day here, it just doesn’t work in December.
I’ll mull it over and set a reminder for June.
Ah yes, the 1993 album from The Cranberries, everybody’s second favourite band: Linger, Dreams etc.
But also no. I’m thinking about Spotify Wrapped, which has taken over the internet for the last 24 hours. And while it might be the most important thing happening in the world at the moment, it does make a change from the most important things happening in the world at the moment.
Which is great.
Here’s mine:
1,938 songs.
813 artists.
53 genres.
Top Genres: Permanent Wave (I had to look that up):
Permanent Wave Music is a genre of music that has been popular in the United States since the early 1980s. It is characterized by a heavy reliance on synthesizers and drum machines, as well as a strong emphasis on melody and rhythm. It often combines elements of pop, funk, and rock music.
Yeah, ok. Fair enough. Then Chamber Pop(?), Electronica, Art Pop(??) and Manchester indie. Mad for it.
And this:
Muse was a surprise, even given this. But in that post, I did say I’d probably give it a couple of months and then give up on them again, and that’s exactly what happened:
Top song, Turmoil from The Lathums; again surprising (and a bit awkward), given this, where I compared the song to Glenn Medeiros’ 1988 hit Nothing’s Gonna Change My Love For You.
And the rest of my Top 5 were all from Sigur Rós. That wasn’t surprising at all.
Onward and upward. I listened to more Spotify this year than any previous year, but I still think I listened to more 6Music than Spotify. By a country mile.
I can’t wait for my 6Music Wrapped. When does that happen again?
Ah… Whitby Abbey. It’s been a while.
With a history dating back to the seventh century, the ruins have overlooked Whitby Harbour since the time of Henry VIII. And it’s a very popular spot for ‘toggers.
You can see why.
But it’s been ruined for centuries, so why not reconstruct it?
WITH DRONES!
It looks amazing. But… it’s not right. It would never have had a steeple. Steeples came around far too late to be on this building. And after a bit of digging, yes: this is just a computer animation as an example of what the company involved says that its drones can do, not what they have done.
Still. Go and have a look at what they have done: here.
Absolutely incredible.
Following on from this post (which was copied by the Daily Maverick here – thanks TA), I have further bad news regarding the intelligence of the local social media populace.
Quite why user @loyalty_0111 chose to share this image, I don’t know. People like to share things,and that’s fine. But then to caption it “Gauteng oil field”?!?
wut?
Anyway, that’s not the real problem here. The real problem becomes evident when looking at the replies to the tweet.
Because half of them think that this is an image of a genuine Gauteng oil field.
This despite the fact that Gauteng is very, very landlocked.
This is not a new thing: it’s fairly well accepted that Gauteng has always been landlocked. .
The image is actually one of the Draugen Oil Field in the North Sea, just off Norway. By all accounts, this is an engineering marvel. And while I’m not saying that SA engineers are not also incredible, they have yet to bring the sea to Gauteng.
But – again – this is social media “informing” the younger (voting) population. And them lapping it up, despite the clear and obvious red flags.
We are doomed.