Local art

Yay. We’re heading down to Agulhas this week for the first time in a while. Looking forward to a bit of a break and some sea air. More from there when it happens. But also, I was reminded this morning of a local shop there which caters to the more… mmm… Afrikaans end of the tourist market.
What do I mean by that? I mean lots of Bible verses, lots of crosses, lots of every sort of item made from MDF and with an Afrikaans saying on them.

It’s like Live, Laugh, Love on steroids.

As jy weet, jy weet.

Amongst that is a selection of art, possibly done by the owner of the shop, we think? Now, I’m really not one to poke fun at other people’s creativity, so I’m going to just give three quick T&Cs for the rest of this blog post.
Firstly, you might not agree with my opinions on this. It’s not microbiology, after all. And indeed, this might be art that you like. And that’s fine.
Secondly, you put your stuff out there, you open it up for people to look at, judge and critique. Which I am doing.
And thirdly, it’s very difficult to not look at some of the stuff on offer and not giggle a bit. Because, well…

OK. I’m just going to limit it to two photos. Let’s be fair. Here’s the first:

That one is going for R850 and it’s entitled “You Gave Me Back My Joy”.

Presumably, this title is directed to the plastic surgery team. And guessing that we’re looking at the lady in question post surgical intervention, one can only imagine that it must have been a really bad accident and a tough job if this final outcome brings her joy. I’m guessing that the initial impact came from her right, and comprehensively stoved that side of her head in (as they say up in Newcastle).

Still, it’s great that she’s happy again, despite having to have a skin-coloured strut holding that side of the back of her head on for the rest of her life.

But of course, reconstructive surgery isn’t the only way of bringing joy.

Should you find yourself looking like a crossdressing Mick Jagger whilst in a strange, grey wasteland, then leapfrogging a young child whose head seems to be amongst some really, really tiny chickens, is clearly good for gettin’ you satisfaction.

And, in the unlikely event that you don’t have a surgical team or a young child nearby, you could always twiddle your nipple with your left hand, while giving a Nazi salute with your right… er… claw.

This last one is niche. Very niche. But it’s been depicted so perfectly clearly here that I really can’t imagine that the artist was trying to show us anything else. And presumably, someone will wander into the shop, spot this painting and think:

“It’s so me. I simply HAVE to have it.”

(But in Afrikaans.)

These images were taken a few months ago. But I’m very tempted to (carefully, now I’ve written this), pop back in and see if these have been sold (but if so, to whom?!?), and also see what other delights have been created in the intervening period.

Please watch out for my report over the coming days.

Art

A pretty rubbish day. Weather, footy, jobs.

And so an invite to a local gallery was a very welcome distraction.

This is the work of local artist Andrew Putter, and his Flowers Of The Cape Peninsula, Volume I, and the above is Nerine sarniensis and Ladybeetle and Moth, 2023.

Only 12 works on show, but a lovely atmosphere and some beautiful striking colours. Just like the actual Cape flowers.

So this was good, but the rest really wasn’t, and I look forward to a better day tomorrow.

Sport as art

Maximum effort and passion from everyone concerned in the SA v Saudi Arabia Dodgeball tournament this weekend. And a huge win for the local U21 boys in their 5 match series.

I’ve been watching and ‘togging.

It’s a fairly straightforward game, usually somewhat controlled and end to end with waves of attacks, but every so often there will be a few seconds of absolute chaos.

Like what’s happening in that photo above. I love the way that it’s all so still and calm in the image, but you can still absolutely feel the power, urgency and action.

Art.

Never a dull moment

Just another week in the mad world of South African news.

Triggering just another ANC media release. Except, this one includes this line:

The ANC will leave it to psychoanalysts and scholars of art to debate Mabulu’s narcissistic obsession with the phallus and human genitalia in general.

No matter how crazy you think Western politics has become recently, they are still some distance from matching this sort of banter.

Artist stuck

Oh dear. An artist “in residency” on board the German-registered, 278.82m long container vessel Hanjin Geneva is stuck “several hundred kilometres off the shores of Japan” (it’s actually about 50, according to Marine Traffic, but that doesn’t sound anywhere near as dramatic…) after the ship’s owners went bust.

HANJIN_GENEVA

Now, the 150-strong fleet of the Hanjin Shipping Company find themselves barred from entering ports worldwide after the company filed for bankruptcy. There’s the double edged sword of the company not being able to pay for berthing fees, together with the worry that the vessels may be seized by creditors.

And poor artist Rebecca Moss is caught in the middle of it all.

As her Canadian sponsors Access Gallery point out:

The immensity of this news, as devastating as it is for the hundreds of workers affected, emphasizes many of the residency’s core concerns, indicating both the precarity of globalized capitalism and our dependence upon systems that we neither see nor understand. It also underscores the considerable role that contemporary artists may play in bringing such situations to our attention in provocative and transformative ways.

Sure. We’d probably never have known about the bankruptcy (Hanjin owe $5, 400, 000,000) if it wasn’t for Rebecca. And all the articles on news sites around the world. Apparently, a press release saying that an artist is stuck on a boat is what passes for a “provocative and transformative way” of bringing the financial woes of a shipping behemoth to our attention.

Mind you, they did title the press release

The Precarity of Artmaking in a Globalized World

Ok then.

Those familiar with Rebecca’s performative and video-based practice will know that it draws on Henri Bergson’s theories of the comedic, wherein comedy is understood to arise in moments of friction between a mechanical system and the nature into which it is inserted.

Like her work High Tide (Sausage) – a 32 second video in which a balloon attached to a stick becomes detached from the stick and blows out of view.
Or Jelly – a 97 second video in which the artist walks down a road, pushing a jelly in a shopping trolley, with predictably catastrophic results (for the jelly).
And who could forget Power Ballad – a 101 second video featuring lumps of concrete rotating on a record turntable which is placed on various beaches in Essex while Elton Johns I’m Still Standing plays in the background.

Indeed, I can think of no-one better to inform us of the financial collapse of a shipping company with the loss of over 5,000 jobs worldwide (and the financial implications for their families) than a woman who once rolled up some clay on a Southend Pier.

If only there was some worthwhile function that these sort of people could perform.