Gig Etiquette

Incoming from Lucy May Walker, this:

OK. Let’s begin with a couple of disclaimers here.

Firstly, LMW isn’t my favourite artist. No real problem with her, just that her music isn’t really my sort of thing. I’m just mentioning that so you don’t think that my opinion on the above has anything to do with any sort of connection or fondness for her or her work.
And secondly, because she is a mainly acoustic folk music artist, and her stuff is very much thoughtful, thought-provoking, gentle, peaceful music, then any iffy behaviour from the audience is likely to have more of an effect than if someone was to chat through, say Mutter by Rammstein.

But still…

YES! YES! ALL OF THIS! THANK YOU!

I’m so tired of going to concerts and having to endure people talking through the whole performance. And I recognise that the experience of watching a concert is a very personal thing; different for every person, but honestly – for that exact reason – your behaviour shouldn’t impinge or affect any one else’s experience.

And I have mentioned this so many times before, but it’s symptomatic of the way that people behave everywhere these days: like they are the only ones that matter. I just don’t get it when you have paid A LOT of money (and likely gone to a lot of trouble) to enjoy the music of a band or artist, and then you do something that you could – and should – maybe do literally anywhere else.

Don’t spend five hundred and forty five fecking Rands each to sit on a dark grassy slope and ruin things for people who – really weirdly – have actually turned up at a concert to hear the band playing and not you shouting to your mate about taking junior to the fecking Constantia Uitsig fecking bike park in the morning.

Stay at home.

I just saved you R1090. That’s, like, two overpriced coffees while he’s on the pisspoor dirt track tomorrow. Boom.

Or if you really did pay your Rands to come along to hear the band, then couldn’t your utterly mundane shouty conversation just have waited for an hour and a half?
You bunch of self-absorbed, stereotypical, Southern Suburbs twats.
No wonder everyone hates you.

Yeah. That was from me back in November 2018. And it wasn’t even all of my rant. Click through for the whole thing. I was clearly rather upset after seeing James at Kirstenbosch.

But I’m not alone.

So yes, I’m all for Lucy May Walker’s helpful guide above. Of course, we shouldn’t really need to be telling grown adults how to behave with respect for other people, but hey ho, here we are.

New Doves

First new music from Doves in 4 years. And it’s darker and stormier than you might remember them, but still with that gritty Jimi Goodwin sound.

New album out on Valentines Day next year, and it’s apparently going to follow the same path:

Looking at everyone’s lives over recent years, and considering the news at the moment, “Renegade” feels a lot more loaded in retrospect. We wanted to go for a dystopian feel, thinking about Manchester itself over the next century or so. A totally imaginary thing… Blade Runner set in our home city.

I’m ready whenever they are.

Taste intact

Spotify surprised me with my 2024 Wrapped this afternoon, and I’m pretty happy with the results.

I listen to whatever I want to, whenever I want to, and so there’s always the worry at this time of year that when it’s all added up, it’ll be a bit… eww.

But no. This is fine.

A timely reminder that you can enjoy my curated playlists here.

So, this year then. 15,000 odd listening minutes (doesn’t include my radio stuff, obviously); 1,700 odd different artists. So I clearly didn’t spend too much time on some of them. 

But yes. Overall: lovely.

Calm

In amongst the hectique end to the year, there is importance in finding some peace and tranquility.

I’ve been enjoying Ólafur Arnalds’ Ultimate Calm on BBC Sounds.

Beautiful music from every different genre*, but all of it calming and relaxing.

The whole of Season 3 is available now, wherever you are in the world. Seasons 1 and 2 are also there for your enjoyment.

Click through here for several (or more) hours of beautiful music.


* ok, limited thrash metal, tbf.

Massive Music Monday!

It’s what? Friday? Oh. Oh dear.

But, here’s your latest music news, and there’s lots of it.

THE CURE released their first album for 16 years, Songs Of A Lost World. True fans (you know who you are) have been expecting this for a while now, but I’m really enjoying the new stuff, mainly because a lot of it sound like their old stuff. And that, as we’ve mentioned before, is absolutely fine, thank you very much.

And they also did that Halloween gig for the BBC. Only available for 29 days here on Sounds, or here on iPlayer, but hopefully on Youtube for a longer time real soon now.

Good news: THE LATHUMS announced a new album and a tour.
Bad news: Djibouti misses out again.

Matter Does Not Define is out in March, but at least we have something new to keep us going in the meantime:

And finally, MAGNE FURUHOLMEN has released the first of his new songs – on his birthday, nogal (62, in case you were wondering) – and it’s all gravelly and piano-y and gentle and lovely.

And there’s obviously more to come:

first out is the title-track ‘living with ourselves’, and then one song will be added every friday until all songs on the album is out – or you’re exhausted, whichever comes first).

And a podcast to go with each release.

This has been a good Friday. Not like, the Easter one, but know what I mean.