New Doves

First new music from Doves in 4 years. And it’s darker and stormier than you might remember them, but still with that gritty Jimi Goodwin sound.

New album out on Valentines Day next year, and it’s apparently going to follow the same path:

Looking at everyone’s lives over recent years, and considering the news at the moment, “Renegade” feels a lot more loaded in retrospect. We wanted to go for a dystopian feel, thinking about Manchester itself over the next century or so. A totally imaginary thing… Blade Runner set in our home city.

I’m ready whenever they are.

Can’t Look Away

It’s New Music Monday. An occasional series, which I just thought up because alliteration is the future.

Seafret are back (you may remember them from such posts as Wildfire and Atlantis) with a new song, a new EP and a new tour which once again sadly omits the entirety of the African continent.

The music, thankfully, is readily available worldwide. Here’s their latest offering, Can’t Look Away:

(and on Spotify).

My daughter and I remain South Africa’s biggest Seafret fans.

As far as we’re aware, anyway.

Musical offerings

‘Diverse, eclectic and actually rather good’ was one review of my recent musical purchases. They included (but were not limited to), DJ Shadow, Chemical Brothers, Grandaddy, The Duke Spirit, Haley Bonar, Primal Scream and Kate Tempest.

And they’re all good, but those last two have been taking most of my attention. And there’s a chaotic link, with the Primal Scream album being Chaosmosis and Kate Tempest’s Let Them Eat Chaos. Some message for us all there, perhaps? Two different sounds though, with a real old skool 80’s electronic feel to the Primal Scream offering. There’s Depeche Mode, some OMD and there’s even Zebra & Giraffe (I know, right?), all mixed with a hefty does of Britpop. It is, brilliant. Standout tracks include Private Wars, the gorgeous Autumn in Paradise and the wonderfully quirky Where the Light Gets In:

It’s unapologetic electronic fun. Positive, bouncy pop for the most part, but then those moments which take you back to the late 90s and wonder if you’re listening to James or Dodgy. It’s a really good, easy to listen to album. Try it.

Oh – and if you’re wondering about Kate Tempest, that’s amazing too, but deeper, harder to formulate opinions: it’s taking a whole lot more time to digest. So watch this space for more on that one.