MOBA

MOBA – The Museum Of Bad Art. It’s in Boston. This one, not this one.

The tagline is “Art too bad to be ignored”, and there’s certainly some very bad art on offer there, but surely beauty is in the eye of the beholder and all that, and this is all subjective?

I think that we could unanimously agree that a lot of it is bad, but let’s just look at the way the museum (website) is put together, and you can see that they want to celebrate just how rubbish stuff is in a humorous was, rather than try to crucify the artists.

The pieces in the MOBA collection range from the work of talented artists that have gone awry to works of exuberant, although crude, execution by artists barely in control of the brush. What they all have in common is a special quality that sets them apart in one way or another from the merely incompetent.

And with collections including “Poor traits”, “Oozing my religion” and “Unlikely landscapes” – there’s plenty to enjoy endure.

I have zero artistic talent. That ability passed over my generation without troubling me at all. But I think that I’m aware of my lack of expertise, and so I choose not to push myself in that direction.

Not so these “artists”. But there are exceptions. This is my favourite painting:

Not because of the rather odd Bassett Hound, but also, the artist’s own comment on his work:

In the note accompanying his donation, Mr. Roots wrote, “…I was happy with the way the barn turned out. It was when I started animals and people that [I realized] I was having problems with proportions…”

The blurb provided by the Museum for each image is also well worth a look.

Go and spend an entertaining few minutes at the MOBA here.

Interview/Photos

Yeah. Dull title. But some of these images are incredible. It’s Dutch ‘tog Albert Dros being interviewed for the ‘creativity and culture’ site MyModernMet.com, all about his love for Greenland (which doesn’t belong to anyone orange, remember).

And while Albert waxes lyrical about the landscapes and the ‘eternal inspiration’ he finds in Greenland, it’s the photos that help you to understand exactly how beautiful the place is.

But as we know, there’s a whole lot more to these images than just turning up to somewhere beautiful and pressing a shutter button, it takes planning to make something so simple work so well:

Our photography workshops have something unique: our sailboats with red sails. They were introduced by a friend of mine, Daniel Kordan, many, many years ago. He came up with the idea of using red sails in contrast with the blue icebergs, an art concept that we now still use with great success. And no wonder, the photos are always spectacular.
We use our sailboats as scale elements for the icebergs. With the sailboat, you can really see how massive these icebergs are. Of course, I encourage everyone to not only photograph our red sailboats. Look at the spectacular beauty around, massive icebergs, but also closer details, the sled dogs, the atmosphere, the towns… I teach people to make a photo story with impact—the same as I do.

Dros’ ability and “his love of landscape photography and knack for visual storytelling” shines through in the article and on his social media, which I encourage you to visit.

I’ve never really considered Greenland as a destination, but it is apparently becoming more and more popular with tourists. Which is ok, as long as it is controlled. Because the beauty lies in the unspoiled wilderness, and we know that can be ruined rapidly by people trying to make a quick buck.

But let’s not let the ubiquitous downside detract from some absolutely stunning images, and the words of a guy who is clearly so passionate to share his knowledge and talent with others.

Keeping A Lighthouse

You know me. I like lighthouses.
There are many (or more) posts on the blog which refer to lighthouses.
Ones in the UK, the IOM, in SA, in France, even one in Germany.

And so I was delighted to stumble across a new Youtube Channel by a lighthouse maintenance engineer, called Keeping A Lighthouse. All the information that you could ever want about his job… er… keeping a lighthouse running, and a chance to see the inside working bits that you never usually get to see.

Described as:

A personal view of looking after lighthouses around the UK and the Channel Islands. My main aim is to give people an insight into the work that we carry out in order to keep the Aids to Navigation working but also to hopefully inspire others to get into a similar line of work.

it does get a bit technical and nerdy, but that’s really no big deal, because again, no matter the subject, to find someone that is passionate about their job and who wants to share that passion is always a real bonus, and Scott is certainly that sort of person.

Uploads are a bit sporadic, but they do happen and they’re really interesting when they do.

To accompany the channel, there’s an Instagram account as well with loads of good stuff.

Go and give it a watch and a follow.

New York City’s Disappearing Horse Elevators

Plenty of news here Chez 6000, but maybe more on the way, so let’s leave that for another post and another time, and head to New York and this lovely little documentary about the last Horse Elevators in that city.

These aging behemoths were used to transport – wait for it – horses! to their second floor stabling facilities from the 1860s until the turn of the 20th Century. Because everyone who way anyone had a horse and carriage. The carriages lived downstairs and the horses lived upstairs, but because they are notoriously bad a doing stairs, they were lifted – elevated – in a horse elevator.

But the horse elevators don’t meet building safety codes anymore, and so they are being removed and replaced. And this is the story of one particular horse elevator and its final journey.

It’s an interesting, engaging 12 minute watch.

How to listen to BBC 6Music (and all the other BBC radio stations) if you are outside the UK


The original post continues below:

We knew it was coming.

The BBC Sounds app has closed for me and the other people living outside the UK. I’m sure that you could slip in the back door via a VPN, but the BBC are (allegedly) rather good at spotting those things and not allowing them to work.

The signs of trouble were there this morning when I was in the gym, as the app glitched onto Radio 4 Xtra, and gave me a bit of Steptoe & Son while also still playing Hit by The Sugarcubes on 6Music:

Sample lyrics:

I’ve been hit, with your charm.
How could you do this to me?
You dirty old man!

But mixed messages aside, just a couple of hours later, it really was gone:

Ironically, when I clicked through onto that new app, I found that Radio 4 was about to broadcast this show: 6. The Only Friend That Mattered.

Ouch. Way to rub it in, guys…

But don’t worry. Hakuna matata. Nem panikus.

There’s still a perfectly legal, perfectly straightforward route to listen live to your favourite BBC radio stations – including 6Music, wherever you are in the world: here are the details.

Let me save you some time: here’s the direct link for the 6Music feed through your internet browser. And it’s working for me.
Three dots in the top corner, save as shortcut to your home screen, Bob are your uncle. The logo even looks the same.

Sadly, there is no obvious route to listening on catch-up or for downloading shows for those of us outside the UK. Aside from trial and error with a VPN. And (allegedly again), that can often be rather hit and miss and somewhat tedious. Or so I’m told, etc etc.

I’ve also just tested whether I can still get 6Music on my smart speaker (IYKYK) and yes, even right down here in the far bottom corner of Africa, that’s still working fine. Whether that will continue (I actually don’t know from where it plays it, it just plays it), I just don’t know. Time will tell.

This hasn’t been a clean break: some of the links from the new feed pages don’t work, although the actual feeds are fine. If the site thinks you’re in the UK, it tries to take you to the app, but then the app doesn’t work. There are clearly some issues that need to be ironed out, and whether that will affect our ability to continue to listen from overseas remains to be seen.

Or… er… heard, I guess.