OMG OMD

We got back from the UK to find that 80’s legends OMD were performing in Cape Town next week. It’s this sort of post-holiday bonus that makes the air travel all worth it. Even with that baby on your flight.

A quick look at their discography is like a Who’s Who of 80s synth classics: Enola Gay, Electricity, Tesla Girls, Locomotion, Souvenir. But they also had hits in the 90s too: Sailing on the Seven Seas and Walking on the Milky Way.
I’m now playing catch up with their latest album,  History of Modern Part I.

So yes, we’ve got our tickets and we’re off to see them.

As with all bands from previous eras, their line-up has changed over the years. But unlike other “old” bands who have been to SA recently this touring line-up is the “classic” one from 1980-1996 (Humpheys, McCluskey, Cooper and Holmes). They may all be in their early 50s now, but as the video above shows, there’s no shortage of energy.

Linkin Park, Schminkin Park. I cannot wait for next Thursday.

OMD are playing at Grand West in Cape Town on Thursday 2nd August and Emperor’s Palace in Gauteng on Saturday 4th and Sunday 5th August. Tickets at Computicket

Oh, and if you’re into your 80s stuff, have you seen this?

The 6000 miles… Coldplay review

So, after months of waiting, last night was it. Me, Mrs 6k and 53,000-odd others seeing Coldplay at the Cape Town Stadium. I’ve done several concert reviews on here before and I’ve learnt that that people like the whole package, so let me share my experiences with you.

  • Don’t care for words, and just want pictures? Click here for my flickr set.

Parking: New plan – I decided to park in the CTICC car park. Choose the P1 parking and you’ll pay a flat rate of R30 for the evening, your car will be safe and secure and you’ll be just a 5 minute walk from the goodness of the Civic Centre end of the free Civic Centre – Stadium shuttle. Add to that the benefit of a direct exit onto the elevated freeway (N1/N2) and suddenly you’ll wonder why on earth you ever parked anywhere else. Brilliant.

The Fan Walk: Mrs 6k had never done the Fan Walk and I hadn’t done it since the Bafana v USA game last November, so I was more than happy to take her along and share the experience with her. But what a disappointment. There was no entertainment, no food stalls (this could have been a big issue: I was getting hungry and you wouldn’t like me when I’m hungry), no nothing.
So let’s be honest here, this isn’t a “Fan Walk”. This isn’t something that Cape Town should market as a unique selling point; this a road that has been closed to allow people to get to the stadium. Just like roads near stadiums are functionally closed each and every week worldwide.
Move along please. Absolutely nothing to see here. Hugely disappointing.

Food: Peri-peri chicken burgers and Bratwurst rolls at Giovanni’s in Green Point. Winning.

The Stadium: I love this stadium. I love coming to this stadium. I love being at this stadium. But last night there was a worrying lack of security and organisation outside. Somehow, while there were huge queues to get to some turnstiles, there were no queues to get to others. This prompted anger and – eventually – a potentially dangerous situation of a fence being uprooted and hundreds of people pouring through to get to the shorter queues. Not good. There weren’t enough event staff to manage the situation – were they not expecting a big crowd? – and that meant that people got through without having their bags searched. Which is no big deal as long as they haven’t got anything nasty in there, but it shouldn’t happen.
One other issue: the new City health drive meant that there were no refreshment facilities on the third tier. Therefore, you could pre-emptively work off the calories from your food and drink by having to carry it up the 6 floors to your seat.
Thanks Patricia. I feel thinner already. You should give it a go, pet.
Otherwise, I love this stadium. I love coming to this stadium. I love being at this stadium.
Did I mention that?
Oh – and jumping ahead – after the gig, the new longer, wider queuing system for the bus station was brilliant and has effectively removed the crush which has ensued after every other event. It shows that the city is watching and learning and that gives me hope after those two negatives above.

Right – time for some music.

The Support: The Parlotones came on, sang some songs and went off. It was a completely bland, ordinary and eminently forgettable performance that deserves nothing more than utter indifference in reaction.
The one benefit was that now I have seen them (again), I feel fully justified in my opinion that they have stagnated, offered nothing new or exciting for years and never lived up to their initial promise.
Those who wish to disagree can disagree. But I have no idea why you would.

Coldplay: The Main Event. Bizarrely, the band came onto the stage following a full volume, full length rendition of Jay-Z’s 99 Problems (But A Bitch Ain’t One) on the PA. I have absolutely no explanation for this. Did Gwyneth even come with?
Anyway, this was the first concert that I’ve ever been to where I was sitting way back and not bouncing in the Golden Circle. But then, Coldplay are one of those bands whose anthems mean that they are perfect for these big arena gigs. The experience is brilliant for everyone throughout the stadium. Or so I thought.
I was wrong. For the entire performance, I couldn’t get away from the fact that I was watching a concert, not being at a concert. The sound was good (better than U2 according to those around me who had been at U2), although the spoken bits between songs were often hard to pick up. The light show was fantastic and I don’t think it would have been as spectacular from ground level.
They began with the energetic Mylo Xyloto, moved onto Hurts Like Heaven – both of which were powerful enough to get the fans going (assisted by the release of some big balloons), despite being new tracks – and then hit us with Yellow, which still holds its own almost 12 years on. In My Place was the first quiet number and – once again – I was struck by the lack of concert etiquette in SA as it was drowned out by people chatting throughout (see my reviews on James Blunt, REM, Spandau Ballet etc etc etc). We didn’t get The Hardest Part last night, which I would have liked as I think is one of their best songs live – but given the overall volume of the track, perhaps that was a good thing.
I fear greatly for the upcoming Tori Amos gig…

Paradise, Lost and Violet Hill were also good, although the audience seemed to lose interest for a while during God Put A Smile On Your Face.
However, The Scientist was well received – especially the change in the lyrics: “Come up to Cape Town, tell you I’m sorry, you don’t know how lovely you are” – but sadly ruined by the biltong salesman trying to flog stuff while Chris Martin was taking us “back to CHIPPIES!! CHIPPIES!! DROEWORS!! the start”. These guys are great for football matches, great for rugby games, but really shouldn’t come to concerts.

And then the band came down for a pseudo jamming session on the pier at the front of the stage, which – for those of us at the back – really was a bit rubbish. The acoustic version of Shiver, from the Parachutes album seemed dangerously unrehearsed, held together with experience rather than practice and I, for one, was glad when they returned to the main stage for Viva la Vida and Politik, the latter of which was, again, disrespectfully ignored by the majority of those around us.

Ninety minutes in, Chris thanked us all and disappeared (and so did a few hundred people from the stands – why do they do that??).
The encore was impressive, as you might expect with those anthems: Clocks and Fix You. If Chris Martin doesn’t like the fans singing along with him, he hides it well. Cheeky grins abounded when the entire crowd launched into “Lights will guide you home…” – it was the highlight of the evening for me.
The lasers were back as they finished with the upbeat Every Teardrop Is A Waterfall, complete with numerous fireworks and it was a strong finish to what was – overall – a bit of a disappointing evening.

I marked it at 6.5/10 (Mrs 6k gave it a 5!), which I rounded up to 7 on my Facebook status last night and which was still received with gasps of incredulity and demands for an explanation. Much of that low mark  could probably be put down to our seating position in 327 – which I really didn’t enjoy: I didn’t feel part of the gig at all and there’s actually very limited fun for me in paying R365 to watch thousands of strangers enjoying themselves. I’ve learnt my lesson – from now on, these sort of concerts will be Golden Circle or not at all.

But sadly for Coldplay and me, that knowledge has come too late to save last night.

Tori Amos in Cape Town, Joburg – November 2011

Much excitement last night as someone (@frantaljaard?) while (presumably) searching “Tori Amos” and “Concert” and “South Africa” and “November” on Google, discovered that Tori Amos is due to perform some concerts in South Africa in November as part of her Night Of Hunters tour.
Isn’t Google amazing?

The dates currently held are Saturday and Sunday 12th & 13th November at Emperor’s Palace in Gauteng and Thursday 17th November at the Grand West Arena in Cape Town.
Tickets are R390 – R765 for Gauteng and R395 – R695 for Cape Town and are being sold through Computicket.

This flame-haired, modern-day Kate Bush has been around for a while: I saw her in Newcastle-upon-Tyne on the first night of her Under The Pink tour in February 1994 and never thought that I’d get the chance to see her in Cape Town almost 17 years later. Or any other city, to be honest. Well, it’s not the kind of thing you do think about, is it?

The iconic, platinum-selling singer-songwriter continues her legacy of ground-breaking recordings with this 21st century song cycle inspired by select classical pieces spanning the last 400 years. This is, quite literally, vintage Tori Amos, in scope and in sound.
With Night of Hunters, Amos carries on the classical tradition of variations on a theme: taking inspiration from classical forms to create a bold new work while paying tribute to the mastery of the original compositions.

So classical piano music with a contemporary twist? We’ve been here before, haven’t we?

To celebrate, here is her wonderful live cover of Radiohead’s Karma Police (which does eventually get going after a whole lot of whooping fans) which is fully downloadable via janovlk on Soundcloud:

[soundcloud]http://soundcloud.com/janovlk/tori-amos-radiohead[/soundcloud]

I’ll let you know when the tickets are being released (once I’ve got mine) 9am, Thursday 8th September and I’m sure that there will be some stuff from the new album available to post on here in the very near future.

A to Z

Afrihost to Zebra (and Giraffe).

I made the switch from WebAfrica to Afrihost this evening, thus saving myself about R50 a month, upping my monthly bandwidth by 67% and – perhaps most importantly – actually being able to connect to the internet. It was almost completely painless, but having bought my router off the back of a stolen lorry, there were a few mild teething issues to contend with. Nothing that a few kind words from Afrihost support and a few kind smacks with a claw hammer couldn’t sort out though.

All this so that I could tell you about the somewhat bizarre gig we went to this afternoon. At which the organisers were expecting a few thousand – but at which there were only a few hundred. If that.
It was intimate. It was friendly. It was downright odd.

There are photos – some quite good ones as well – it wasn’t like I couldn’t saunter through the empty space right up to Greg Carlin’s feet, so distance wasn’t an issue. But sorting through them hasn’t happened yet. I’ll let you know when there’s something so see. Meanwhile, I can report that Z&G were very good, the Dirty Skirts were also very good and the crowd (both of it) were extremely appreciative in the summer sun wind.

Meanwhile – death to Web Africa, who were good, but then slipped a little and Viva Afrihost, Viva!